360°
Click and drag your way through these 360-degree video clips and use headphones to enjoy spatial audio:
Uploaded by Orpheus Instituut on 2017-10-06.
The very first piece that Beethoven improvised with the hearing machine in place may well have been his Bagatelle in C Major, Opus 119 No. 7. It’s a crazy little piece (a “trifle”), with lots of trills, funny noises, and, towards the end, a hair- (or ear-) raising climax. Compare its effect in three acoustical set-ups:
Click and drag your way through this 360-degree video clip and use headphones to enjoy spatial audio. Pianist and artistic researcher Tom Beghin and acoustician Thomas Wulfrank discuss the particulars of a fascinating project to record Beethoven's three last piano sonatas (Opus 109, 110, and 111) using a replica of Beethoven's Broadwood (built by Chris Maene) and a reconstruction of Beethoven's Gehörmaschine (or "hearing machine").
Click and drag your way through this 360-degree video clip and use headphones to enjoy spatial audio. Pianist and artistic researcher Tom Beghin and acoustician Thomas Wulfrank discuss the particulars of a fascinating project to record Beethoven's three last piano sonatas (Opus 109, 110, and 111) using a replica of Beethoven's Broadwood (built by Chris Maene) and a reconstruction of Beethoven's Gehörmaschine (or "hearing machine").
Click and drag your way through this 360-degree video clip and use headphones to enjoy spatial audio. Pianist and artistic researcher Tom Beghin and acoustician Thomas Wulfrank discuss the particulars of a fascinating project to record Beethoven's three last piano sonatas (Opus 109, 110, and 111) using a replica of Beethoven's Broadwood (built by Chris Maene) and a reconstruction of Beethoven's Gehörmaschine (or "hearing machine").